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Ask a Professional Resume Writer: Lynda Spiegel, Rising Star Resumes. How Many Pages Should My Resume Be and 12 Principles Behind That - 18. December 2014. 24 Crucial Tips for Work Experience Resume Section - 3. February 2015. Famous Last Words of a Resume: References Available upon Request - 2. March 2015. Today we#8217;re talking to Lynda Spiegel from Rising Star Resumes.
As a human resources executive with over 14 years’ experience, she has personally recruited and hired thousands of talented individuals. That experience has afforded her the best understanding you can find about which resumes will get read and which will be by-passed. Q: Tell me something about you and your business. How did you start? A: My background not only shahadah facts includes 14 years as a Human Resources practitioner, but also experience writing marketing communications.
I left the corporate world in History Essay, 2013 to work for a HR consultancy practice, but the “aha!” moment came in 2014, when I realized that all those years recruiting, interviewing and hiring people meant that I have greater-than-average insight into how headhunters and recruiters read resumes. Leveraging that insight with my marketing communications skill made writing resumes a natural service to provide. While I had always written resumes for friends and family, I started Rising Star Resumes last year to focus on it full time. My website URL is www.risingstarresumes.net, and potential clients can view samples of resumes I’ve written for shahadah, various industries as well as read my many posts on the art and science of resume writing. Function Of Skeletal. Q: What are the three most common mistakes applicants make in their resumes? A: Only three?
The most egregious mistake is shahadah using meaningless phrases, such as “team player,” or “self-motivated.” Really? Isn’t everyone? And would you admit it if you weren’t? Another common mistake is to make unsubstantiated claims, such as “highly successful in function, closing new business.” I always counsel my clients to SHOW, not TELL. Facts. How much new business did you close?
Quantify it, and then I know how successful you actually are. The third mistake is to treat the resume as though it were your autobiography. No one wants to The Internet, read through a lengthy bullet list of everything you did at shahadah every job you ever had. Kincaids Cave. Q: How much time do you spend on one resume at first glance after you receive it? A: 3-6 seconds. Shahadah. If it succeeds in sociology, grabbing my attention, then I’ll put in a folder to read thoroughly. Facts. Q: What is the first thing you look for in a resume? A: I’m looking for a candidate who meets most of the criteria listed in the job description, but who has a background that suggests to me that he/she is adaptable and Microsoft History Essay, flexible.
Q: What are the three main eliminating factors of shahadah resumes you review? A: Typos, spelling mistakes and a busy format that includes a tiny font size. Q: What are the three main attributes in a resume of a candidate that will be called for about Failure in Chile, an interview? A: The ability to facts, present his/herself concisely and clearly. A level of beowulf grendel's achievement appropriate to facts, where the Essay Home Depot's, candidate is career-wise. Entry-level candidates aren’t expected to shahadah, show as many accomplishments as a mid-to-late career executive. Q: What do you think of function graphic and video resumes?
A: I’ve never received one, actually. They seem kind of trendy and not especially professional. Facts. Q: What do you think of a functional resume format? A: Functional resumes are formatted to showcase a person’s skill set over actual jobs held. No one is of skeletal muscle fooled by this approach, but I believe it’s a good way for career changers to explain their value proposition. Shahadah. Q: Can you share up to five quick tips for applicants in order to pass ATS screening?
A: Don’t send a PDF file Select as many keywords from the IMB and Microsoft History, job description as you can honestly include in your resume, and shahadah, use them judiciously. Always have a human backup at the company. This is where LinkedIn is a blessing. I can’t tell you how many times people get rejected by ATS, but someone in their network gets their resume in front of the right person, and viola! The evil ATS is kincaids cave thwarted. Shahadah Facts. Q: What is your position on Essay, photos on resumes? A: In the U.S., they are not allowed – too much potential for discrimination. Q: Why is professional resume writing service worth a couple of hundreds of dollars? A: Why?
Because it’s so hard for most people to write about themselves objectively. Shahadah. Some people are too modest and others too smug. Also, not everyone is function of skeletal muscle a good writer! More than that, a resume isn’t just a written document; it’s a very, very important marketing tool. You need it to shahadah, sell yourself to your next employer. Isn’t that worth a couple of hundred dollars?
Q: What is your opinion regarding resume length? A: Many people are told that their resume MUST fit on one page. That’s fine if you are a recent graduate. Kincaids Cave. Otherwise, how can you explain your value proposition and your professional brand AND list your employment and education on one page? No way unless you use a tiny font, and shahadah, recruiters hate that. On the other hand, three pages is too much, although I’ve seen some excellent IT resumes that long.
For most candidates, two pages is optimal. Q: What are the three main points undergraduates or recent graduates need to present in their resume? A: What have they been doing when they were not studying? Internships are great, but even working at IMB and Microsoft History Starbucks tells me something positive about them. Why did their choice of a major delight them? I’ve always preferred hiring people who are passionate about something, so I’d rather hire a smart, willing-to-learn English major who took that route because he/she had a passion for facts, Shakespeare than a business major who was in kincaids cave, it as a career stepping stone.
What courses did they take? Are they well-rounded people? Q: What do you advice to your clients regarding references? A: I don’t put “References available upon request” on the resumes I write because obviously I expect candidates to provide them because I will ask. Q: And what about shahadah facts, cover letters? A: Target your cover letter to respond to The Internet of Everything Essay, each job you are responding to. Don’t write a template and just change some of the wording.
Identify one or two experiences you’ve had that specifically relate to bullets in the job requirements. Facts. Keep it short! Q: What is your advice on making employment gaps less prominent on life, a resume? A: How about shahadah, explaining them honestly? No one is fooled by seeing gaps presented as the person working as a consultant, or for themselves, unless, of course, the kincaids cave, person actually did. Family businesses are also a dead give-away. Q: What would you like to see in shahadah, resumes more often? A: Quantifiable, legitimate evidence that the candidate is good at what I need him/her to Essay, do. Shahadah. Q: What are the most irrelevant parts of a resume for you?
A: I don’t want to hear about the person’s hobbies. When and if we become colleagues, I will care about your personal interests. Right now, I need a qualified candidate who is a good cultural fit. Also, in the U.S., it isn’t legal to ask about someone’s children, marital status, or sexual orientation, so Americans don’t put that type of information on IMB and History Essay, their resumes – or at least they shouldn’t. Q: Do you check online presence of a candidate exclusively through links provided on a resume or you dig deeper? A: I don’t dig deeper; I use a background checking service. Q: In the end, please add a couple of sentences about resumes for our readers. Facts. A: Your resume needs to work as hard as you do! So make sure that every word counts by clearly articulating your professional brand and your value proposition. If you liked this interview, subscribe to our newsletter for more similar stories about fighting grendel's, your resume.
Ask an Authority: Brian Brandt, Resume Writer. Ask an Authority: Ben White, Recruiter. Facts. Ask an Authority: Steve Burdan, Resume Writer. New pieces of knowledge about your resume/CV directly in sociology, your inbox Infographics Free PDFs of shahadah our articles. Enter your email and stay on top of things, Please, check your inbox and spam folder for Microsoft, the subscription confirmation email.
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Anthony North. St. Anthony has received numerous awards including the Oklahoma Quality Award for Excellence, Certified Healthy Business, Premier QUEST® Award for High-value Healthcare Citation of Merit, among others. Healthsights ranks St. Anthony at performance levels for quality and patient satisfaction higher than local competitors and many national health care organizations. *Req ID:* 17007332 *Primary Location:* Oklahoma-Oklahoma City-St. Anthony Hospital *Schedule:* Part Time (Benefit Eligible), 8 Hour Day *Shift:* Day Job *Schedule Hours Per Pay Period:* 7:30am-4:30pm, some variations *Normal work hours:* 64 *Job:* Behavioral Health *Organization:* St.
Anthony Hospital *Posting:* Jun 2, 2017, 2:46:33 PM-Ongoing SSM Health Oklahoma City OK. Mental Health Tech II - Human Restorations. 1. Resume Copy paste or upload your resume. 2. Cover Letter (Optional) 2. Cover Letter (Optional)
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ander monson essay I fear for the essay, friends, and shahadah facts, its bad reputation. It feels white and dull, dusty, old. IMB And History Essay! Encased in tombs like the shahadah, Oxford Book of the Essay. Each year's Best American is not a yawn, exactly, since some of the individual essays are good enough when read and thought about, but as a whole they are not particularly inviting, exciting, compelling (though: [here]). They lack, what, pizzazz? Flash?
Flare? Fireworks? Prestidigitation? Say what you want about the spectacle of memoir, but it at least seems timely. Hot. Fresh. Glittery. Beowulf Fighting Mother! Fake. It has the veneer of reality or reality show. It as much as anything else appears to be about the stuff of our lives, or the wished stuff of our lives: suffering, crime, sexual politics, revelation, television, possibly hot tubs, body waxing, celebrity, and bikinis. You know a memoir might be trashy but it will entertain us.
But essays? They are easy chairs. Thinky. Stable. The nice sensitive older guy driving a 92 Volvo. The smell of facts, aged pine. They are sedentary. They connote senescence. Walnut desks stranded in Essay unused studies that smell like centuries of pipe smoke. You have to admit it does not feel like a youthful form. All of this sob story for the essay is concurrent with the declining technology of the newspaper, the literary journal, and other print media that gave rise to many of the essay's brightest stars.
We still have commentary but it's moved online. It's become increasingly an amateur sport. Distributed via blog and amazon reviews by Top 500 Reviewers to you, the consumer. Perhaps it's only fair. Facts! Maybe the kincaids cave, lyric essay is an exception. A sparkler, a firecracker on facts a summer evening. It alone is saucy, upper lip curled. Chances! Flirty in its assignations with poetry. More than a little rebellious, contemptuous of any curfew placed upon it.
It inhabits the margins already, barely an essay, hardly claiming any cultural weight. We'll return to this lonely roamer later. A sign: a sigh was my response to the essay when I discovered it. I did not lack love for its meanderings, its attempts to convey the motions of thought, but it felt remote. Isolated. Writ in stone and handed down. Unapproachable. The production of years of pristine thinking and immersion journalism. It is seemingly inaccessible from an artist's standpoint without deploying some kind of wizardry. Facts! As an enthusiast of literary forms, I faced the kincaids cave, wall.
I looked up it, looked around it. Shahadah! Saw only wall and wall and wall. Brick after brick. No chink. No crinkle in its face. This is one trajectory. About Home Failure! Introduction to the Hack. Facts! Hacking is at heart a creative activity. It is first, simply, an exploration, an beowulf fighting grendel's, opening up, of a system. A kind of problem solving.
When we say hack , we probably mean to illegally access a computer system by any one of various means, probably by someone geeky, eggheaded, to shahadah facts, plant a virus in muscle some high-level Dept of Defense computer, but that's reductive, pejorative, sloppy thinking. Most hackers who illegally access computer (or other) systems do it not to break the shahadah facts, law but because we want access. Because we see a system and we are not allowed inside it. Because we see that apparently impenetrable tower and we want to know what rests within its walls. More loosely, a hack is an ingenious use of mother, technology to accomplish something that is otherwise impossible to accomplish.
It is a bridge from one land mass to shahadah facts, another over deep water. It appears, like any sufficiently advanced technology, as a kind of magic. It comes out of the insoluble. It is Essay surprising. Pleasing. Amazing.
For instance, a famous hardware hack, the red box, repurposes a Radio Shack autodialer (a portable, pre-cell-phone device that could store and shahadah, automatically dial numbers) via some soldering to mimic the Microsoft History Essay, tone (technically a series of four tones) that indicates to a pay phone that a quarter has been deposited, allowing me to call anywhere for shahadah, free. The blue box (the even more famous hardware hack) generated the 2600 Hz tone and allowed a hacker (well, technically the term is phone phreak ) to of Everything Essay, take control of the trunk line and go wherever he wanted to go in shahadah facts the phone system. The Internet Essay! These hardware hacks commanded knowledge of a system (often discovered accidentally, or through long evenings of trial and shahadah facts, error) to accomplish control. For some users of the red box, the device is life about free calls. For others it is about the act of accessing the network, of facts, bypassing a lock quite ingeniously, it allows further exploration, node by node, of a network.
But regardless the hack is the trick, not what use it's put to. I have lived the life of accessing networks, exploring PBX systems and phone lines, been publicly punished for it, for my audacity. Function Of Skeletal! Illegal access to credit cards, to databases of hundreds of thousands of facts, credit cards. I didn't use credit cards for anything: I simply wanted access to them, to Microsoft Essay, the growing, private world of information stored on thousands of servers lined up, hidden away in shahadah facts banks of modems. Because I could, I tell myself, I wanted in. I hesitate to kincaids cave, try to ascribe a particular motivation to my actions in retrospect. The brain reconfigures memory, reorders events, resets them among other events to form narrative, causality: it creates sense. The mind tells itself stories about what happens to it. So me saying that I did X because of Y rests on facts thousands of assumptions about who or what I think I am, how I thought of myself thentransmuted into how I think about myself now. I can tell myself that I was drawn to hacking because of curiosity or nascent writerly interest but that is beowulf fighting grendel's mother almost certainly untrue.
Who knows why I did what I did, why I broke into Michigan Bell trucks armed with smoke bombs and centerpunches and mace in case the shahadah, cops arrived? And who knows what I would have done with the mace if the kincaids cave, cops arrived? Any sort of attempt to sort meaning from the shahadah facts, past is fraught in thousands on thousands of ways, exponentially splintering. The more you think about it the The Internet, more it asymptotically approaches impossibility. This is not to suggest we shouldn't attempt it. The attempt is glorious, and attempting rewires the brain.
It moves the circuitry around, attaching a new conclusion to an action, reconstructing self. In a way, thinking about the self hacks it. It is after all, our own brain, an impossibly complex system, shifting, synaptic. It is the system, the main subject for literature of any sort, the perfect subject, also seemingly inaccessible. The memoir appears to try to understand but mostly it narrates. airs action out, reveals it. It offers us confession, prepackaged narrative arc: redemption, for instance. It thinks it thinks but it does not quite get there.
The essay instead, lonely sentences stretching across the page, unfurls, representing thought. The essay affords us the best way to hack this system. Let me take another shot at shahadah, it. My primary experience with video games is one of exhaustive exploration. While I can't quite admit the level of The Internet of Everything Essay, exhaustive play that characterizes those who write completist walkthroughs for, say, Final Fantasy XII, which I have logged 110 hours playing on the PS2 (helpfully the game tracks my addictive hours), I do spend a lot of time thinking about and being immersed in game worlds. “Split Infinity,” the writer who compiled the FAQ/Walkthrough I have been consulting for shahadah, some of the The Internet, more arcane secrets that the game holds, is one of these superexhaustive players slash writers. The FAQ, the shahadah, Walkthrough: these forms are a response to the complexity of a created system. The FFXII FAQ is kincaids cave exceptionally exhaustive (a sort of split infinity). It is 1600 pages. 800,000 words, though I have some doubts about facts, what MS Word is kincaids cave counting as a word. It took him more than 400 hours to write this tome, based on more than 1000 hours of gameplay, exhaustively exploring every conceivable pathway through this created, interactive space.
I would argue this is essay, even as it is an informative document. It is a record of an individual (and eventually collaborative) exploration of a system. It is a fairly ingenious solution to shahadah, a problem: where can gamers go to find information about how to get the Zodiac Spear, for instance (the answer is very far from obvious). The Internet is the perfect distributed system for assembling these sorts of answers. For hacking the problem into soluble chunks and distributing it across thousands of players' experiences. Split Infinity has done it for us. It is a staggering achievement. Too, it is a hack.
Through exhaustive play and documentation he (or otherspeople in this way work collaboratively) has discovered a number of of Everything, secrets I had no idea the game held. He has accessed secret rooms in the dungeon, and he's given us the key. He's opened up hidden areas in the system. His FAQ lists 61 easily missable things in the game (sometimes these are called easter eggs). There are of course a thousand hacking FAQs and walkthroughs of ways to hack specific computer and other systems. The writers of these hacks are often anonymous but they have brought gaming zeal to their subject. They ferociously descend on the system and do not come out until they have penetrated it. It's a little male, though, you have to admit. Reading these FAQsor, better, writing themadds pathways to facts, the brain. Adds syntax where there was none.
Itcomplicated system as it isattempts to reckon with an even more complicated system. To map it out. Kincaids Cave! To render it inert, paused, interrupted, in another form. Essay as Simulated Mind. The essay tries hard to solidify the motions of thought. Itmore than most other forms of writingis not as beholden to tradition, restriction. Sure, it's, like, old. Facts! Totally AARP. We can date it back to beowulf fighting, Montaigne, or, trying harder, Seneca. I have to admit that Montaigne bores me. Seneca, too, really, and most of shahadah, what we call the of skeletal muscle, moral essayists, publicly thinking about individual behavior as part of a society, offering suggestions for better living, and so on.
Maybe it's my age. Maybe it's that I want to sex it up. The essay does not rely on narrative arc (though it can). It does not rely on lyric motion (though it can). It can potentially incorporate anything, draw from anything, in search of the range of motion of human thought that it attempts to present. It is a sticky ball.
It is the video game Katamari Damacy. It accommodates. Like the brain. Shahadah! Each essay we read is as close as we can get to another mind. It is life sociology a simulation of the shahadah, mind working its way through a problem. This is not to suggest that every essay is Home Depot's Failure good, revelatory, successful, fruitful, interesting. But stepping into an essay is stepping into the writer's mind. We are thrown into the labyrinth, a huge stone rolling behind us. It is a straight shot of the brain in shahadah all its immediacy, its variety, strands of half-remembered text, partly-thought-through ideas, images below the surface of memory. Of Everything Essay! We are thrown into process: of thinking, which is facts like an algorithm, a machine for replicating or simulating thought: So, a quote to add to our ball, a line to add to our algorithm, one strand of thinking: . the about Home Depot's, essay is decried as a hybrid; that it is lacking a convincing tradition; that its strenuous requirements have only rarely been met: all this has been often remarked upon and censured. Shahadah! The quote is from Theodor Adorno's essay, The Essay as Form.
Here we find ourselves. We find ourselves plucked out of life chances sociology, our lives and are transplanted in the middle of a mind. A plot, really, strung together of thought. Of a linguistic situation. An argument.
Given that the facts, essay lacks tradition, what then? And later: Luck and play are essential to the essay. Kincaids Cave! It does not begin with Adam and Eve but with what it wants to discuss; it says what is at issue and stops where it feels itself completenot where nothing is left to say. The essay claims its own limits and works within them: as it works, so does the mind. As the argument shifts, cuts back, or redoubles, uncovering something the facts, essay did not know it knew (for that is every essay's purpose, to wend, explore, to sidetrack as it must), so goes the processes of the mind.
It freezes thought for us. Of course this fixity is a lie: one line of thought extends and becomes yesterday, diaspora. The second time through an essay in revision we are not the same combination of brain and IMB and Essay, body; the network has shifted and shahadah facts, what we thought we thought is no longer what we think. And by thinking we erase or redouble thought, confirming or denying it. So the essayist tweaks the essay, smooths out a transition, takes another branching path. And that version of thought is fixed and left, a pathway in the brain, graphite trace on the page. And on about Depot's Failure and on until the essayist gets up and gives it up. The essay should change on every public reading or recitation as something new occurs. Shahadah! But it's impossible in The Internet Essay art.
Finally we have to let it go and hope it will show the reader something new. Reading essays gets us closer to others' thinking, or at least the most recent version. Writing them gets us closer to our own. It at least allows us to interrupt the constant motion of our minds to put something down and shahadah, consider it, think about it from a year removed, or from space on the shuttle, or in a different space, overlooking another view from a new hotel in a different city. And what about the lyric essay? Have we forgotten it? It proceeds in chunks, disconnected fragments.
It pauses, tacks around the IMB and, subject or dead-end through white space. In some ways the lyric essay is the most essay sort of essay. Our lyric variety of the shahadah, essay is a polyglot. It is pansexual. If the essay is kincaids cave a ball, the lyric essay is a super sticky power ball. But calling the shahadah facts, essay lyric doesn't add all that much. It specifies, I guess, that this essay is a lyric one. It closes down some of the kincaids cave, dimensions through which essay might move. Essay itself is already polymorphic.
It is oversexed in its potential union with anything: polemic, story, treatise, argument, fact, fiction, lyric. But lyric has freshened up the facts, essay world, it seems, so we should be grateful. This semester I am assigning mind-hacks of sorts to my fiction writing workshop. I am asking them to interrupt their sleep patterns to write, to Home Depot's, alter their methods of composition which means changing their thinking, reducing it, at least at the generative stage. To feel the force necessary to facts, strike keys on a manual typewriter. To only write in abandoned buildings. To dictate into a microphone. To write hungry. Exhausted. If I could, I'd prescribe some psychotropic drugs.
The brain gets used to its own strategies when we write. It finds the path of least resistance, like a liquid on a surface. Essay Depot's Failure! It moves. It settles into ruts. I am trying to get my students to write from different mental states, to find their way to different voices.
I think of this as a way of hacking the brain, to get ittechnology as it isto go someplace it is unaccustomed to. Facts! I want them to try to feed it different stories, different stimuli, in an attempt to get it to generate different sorts of The Internet of Everything, texts. Essay as Interruption. The world moves. Shahadah Facts! Art stops it. The essay stops it. It is a temporary thing, but necessary.
You know the photographic trope where the city's streets are illuminated with the lighted headlight trails of cars, their past motion and present location represented as trails and curls. Time-lapse photography uses trickery to represent flux as static, as history. Beauty occurs in isolation, from of skeletal muscle, a distance. When we pause our DVDs and can admire the frozen shot remaining, the curl on one lip, the flex in a ninja sword, the expression of the face. The essay, like a poem, acts as fermata.
It processes ideas, images, texts, or objects at its own speed. It rewinds, meditates, circles, returns, sits and spins if it must. And it should. It is, like all good art, an interruption, an intervention between the world and shahadah facts, the mind. Its status as a weird sort of hybrid comes from this. Stories have forward motion.
They are driven by what happens. The essay is propelled by what it thinks about what happens, or what it thinks about chances sociology, a subject. It turns the subject in its mind. It gets all self-conscious. Too self-conscious sometimes. The essay can lock up, find its way to infinite recursion: what do I think about what I think about shahadah facts, what I think about etc.? If left undisturbed, thinking can spiral down. The essay-space is a dreaming space. Everything is allowed.
It might move erratically, as in dreams, with its own logic. It can tangent out, follow a line as far as it can go. As I sit here writing this, looking out the window at passing traffic, cold people, a fire truck comes blaring by, sirens on. An ambulance follows. Chances Sociology! My gaze heremy train of thought, toois interrupted. Shahadah Facts! Back to kincaids cave, regularly scheduled traffic programming. Two minutes later another fire truck blows by, moving fast. These vehicles are en route to intervention.
A home might be on fire. People might be dying even as I speak, their flesh crisping up or melting off. It could be a false alarm. If I were a real investigative essayist, or journalist, I'd be up and in my car, on their trail, trying to facts, dodge the resuming traffic, hoping to The Internet of Everything, see something exciting or terrible. I am not. I haven't moved. A girl opens the door across the street. The pizza delivery guy is inside. Nothing is happening.
They are both just sitting there. Her boyfriend, apparently wearing Zubaz, looking a little like an facts, animal, shows up from the back. There is a transaction. You can try to keep the world out, but it intrudes on the mind, on the language taking shape. Beowulf Fighting Mother! I believe in interruptions. I believe in sidetracks. The pizza guy is from Domino's. I used to deliver Domino's in Ames, Iowa. I liked their pizzas in shahadah facts high school: sausage, green pepper, and function of skeletal muscle, onion, in particular. Facts! It is amazing that writing these wordsand reading them each timestimulates my hunger even now.
Take that, brain! Take that, body! The job sucked but paid occasionally well. There were stories about being tipped with sexual favors which never happened to anyone I knew, surprisingly, buff dudes with ripped abs and spray-on tans as we were. I was in grad school. Everyone there was younger than me and enjoyed humiliation. Kincaids Cave! I quit that job. The apartment across the street has a wadded up American flag dangling from a pole.
This must mean something but I know not what. Perhaps if I think about it long enough, allow the mindand the sentenceto swirl around it, it will dream and yield up its meaning (or I can fool myself into thinking that it will yield its meaning). Essay accommodates. It expands. Facts! It contracts. It is a flexible technology. The good essay advantages itself of interruption.
Thinking, after all, is not dramatic. Life Chances Sociology! Because it is shahadah facts isolated, potentially pure mind, it can spin and spin. If the essay interrupts time's forward motion, then it loses out on the pleasures of time: urgency, dilemma, arc, sequence, pressure. Left without constraint, the essay languishes. Even an argument must move inexorably forward, however fraught, however much we know that our thinking the next time around will change. Of course any text moves forward. It reads (and composes) word by word, sequentially, line by line and on down the page. It stacks up like in Tetris.
It creates pressure on the thinking. Even as the essay diverges in its thought processes, as it follows tangents and diversions, there's still the expectation of convergence, of a final arc. Home Failure In Chile! We want the essay to rise and take its shape. We want to be pleased. We want cohesion. Maybe we want redemption for facts, your or our sins. We want rising and falling action, even in essay. The smart essayist knows this. She uses the reader's expectations to her advantage.
She understands that even faced with infinity we need constraint. I believe in chances the fragment. It's the most honest representation of anything. It acknowledges gaps, its lack of comprehensiveness, its ability to surround and control a subject, an idea. Of the shahadah facts, literary forms, the about Depot's Failure, essay is the most open to shahadah facts, fragment. Because it tries to represent thinking, it knows only so much. It constantly faces the edge of what it knows and stares off the edge into a darkness filled with question marks. The essay is kincaids cave about limitations.
It understands itself. Because it forgoes much of the structure of poem or story, it gets by on its own ability to expand and consume whatever we feed it. Facts! It is self-replicating, expanding like a virus. Perhaps it's more accurate to say an The Internet, essay is like a worm, spreading across systems, sending out new shoots. It is modular, nodular.
And of the forms of the essay, the lyric essay swallows fragments most easily. In order to accommodate gap, the essay must ape the shahadah, poemit must create an openness, an attention to beauty rather than meaning, at least on the micro-scale, it must jump through gaps and continue on, an grendel's mother, elision of the white space on the page. I am a writer who likes constraint. For me this means form: that which constrains or exhibits the effective constraints of a system. It is an shahadah, obsession.
Forms come in dreams. They structure dreams. They embody system. The outline is a system. Kincaids Cave! The index is a system, or it relies on system. Indexes show up in all three of my books: as poem, as story and functional index, and as essay.
So the essay begins for me with the acknowledgment of shahadah, system. This limits the motion, the options for the essayist. It allows the life, thinking and rhetoric to expand and run along the edge. Shahadah Facts! This is what hacking does. Hacking engages with a system, with its physical or digital limitations, the impossibility of access to parts of the system, for instance, without authorization. The limits of the Unix structure of life chances, read/write/alter rights. The limits of shahadah, human ingenuity when it comes to choosing passwords (hint: we are not very ingenious at all; unfortunatelyfor two reasonsthe weakest part of any system is the human. Kincaids Cave! The first reason is that it's unfortunate from a hackerly point of facts, view that the easiest way in is the least technologically sophisticated: guessing. Or educated guessing, based on what I can find out about a person. Or what we used to life sociology, refer to as social engineering, talking people into revealing their passwords or setting up an account.
A form is like a challenge. Shahadah! A wall. A system of rules. Of Everything Essay! A dungeon. Signifiers accessing other signifiers. Given the rules of shahadah, system X I want to hack it, see what it can be repurposed to do. In this way writing the muscle, essay accesses the system, breaks the locks off of it, pushes against it, line by line, and shahadah facts, transforms . My friend Nicole has a purse made out of candy wrappers woven together. It is a beautiful object: glossy, slick, enclosing, crafty. I find myself wanting to fill it with candy but in beowulf fighting mother practice she fills it with the usual stuff of a purse, a world I don't typically have much access to. Shahadah Facts! The pleasure for me of looking at this artifact is Failure dual: I recognize it is a purse.
On closer inspection we see it is made up of candy wrappers. It is both things and neither, and in so doing it is something more. It is transformed. It is facts also falling apart. Kincaids Cave! It is an object transformed into another object. It was made, and doubly made (in the process being unmade, losing its former function), and now it is slowly unpeeling. I wonder if the half-life of the object is shahadah intentional.
That, like a candy wrapper, it is finally disposable, reducing to the memory of what it contained, a ruin. I write this talk on my new word processing program. It's called WriteRoom (click here), and it is fantastic. The Internet Of Everything! The screen I am writing on mimics the look (in some ways) of facts, a green-screen monochrome monitor, the kind you'd find on an Apple IIc, for instance, or an old IBM PC. In this way the writing of Essay about, thisthe essaying of shahadah facts, it, for I have only a vague sense of where I hope this essay to gois physically not all that dissimilar from my experience sitting in front of computer screens looking at the login prompt of a BSD Unix system or the entrypoint for an unknown database, announcing almost nothing about itself. I am there again in one dorm room or another, or downstairs in the basement of my parents' split-level, thinking about ordering Domino's and Depot's Failure in Chile, quaffing Cokes, fingering my bag of dodecahedron DD dice, playing some Sisters of shahadah facts, Mercy on chances sociology my boombox bought from a duty free shop in Dubai. Facts! I am feeling cool. Kincaids Cave! The world is stretched out in front of me, accessible via keyboard, via text input into a machine. It is a series of walls and shahadah, gateways. This is a generative space for me. It is like a dream.
It is light spreading out in darkness (green light growing on the black screen). It is like an electric dungeon. Hacks surround us. The world is made of kincaids cave, them, of ingenuities. Of technical responses to particular problems, which is to facts, say the beowulf fighting grendel's, world is made up of designs. The essay is one of these, a technology repurposed in any given instance to solve a sort of shahadah, problem, one that it does not know it is meant to solve until it solves it. It is an exploration; it serves the function of art, treading out in darker waters. Even this essayespecially this essayis a hack.
Given the idea an essay is a hack I have been trying to find ways to make it work, to wave my hands, trace my thoughts, produce language, produce magic. When I was sixteen, I broke into the mainframe of Comerica bank in Michigan. The details are now distant. It was simple. Really no hack at of skeletal muscle, all. It required a couple minutes of guessing passwords. Once I found the dial-in number it led to an unlocked door.
I used our dormitory resident assistant's phone line that I had rerouted from his room above mine to my own. Two security personnel from the bank visited me shortly thereafter, having traced the call. I hadn't thought to try to make my number more difficult to trace; in a way it did not occur to me that they might take offense at my exploration, my intrusion. They asked me questions for shahadah, an hour about what viruses I had uploaded into the system. I was dumbfounded. They expectedor maybe fearedthe worst. What I cared about was simply being inside, typing words and sending them through my modem to Essay, their modem to their mainframe system, something larger, more complex, more powerful and godlike and facts, awful and other than my personal computerand having it respond. Eventually I was not allowed to have a phone line for obvious reasons. I had acquired master keys for life chances, the campus that year, and I went about rerouting two phone lines from the switchboard in the basement: one snaked up to my room. I painted the phone line the color of shahadah, brick (or perhaps I wish I hadthere is no way to tell if this is a fabrication; it feels too ingenious in retrospect, the mind says: you weren't quite that crafty) and bent the lead panes in the dorm room window to accommodate the line. Kincaids Cave! The other line I snaked up to my friend Jason's room.
We had hollowed out one of the standard-issue dressers so that the drawer faces were just façade. Shahadah! I had installed a computer in his hollow dresser for my BBS, Datacrime International, to run 24-7 on beowulf fighting grendel's a modem and the rerouted, dedicated line. Shahadah! I admired that hack, that hiding of the machine in the dresser. It was like a literary symbol, I thought to The Internet of Everything, myself appreciatively. Shahadah! Or perhaps I think so now. I also rewired the phone system of the dorm so that the payphone was connected to one of the professors' lines, allowing everyone to Essay about Home Failure in Chile, call for free. It was an elegant solution to a particular problem: being stuck at facts, boarding school with no money, no phone lines, and of Everything, no way out except the pay phone. I freed that passage up. None of this is facts difficult.
I did not evade detection. Life! I wasn't all that smart. Many hackers I knew were more ingenious, more serious, than me, more adept with assembler code or with the errata of shadowed password files in BSD Unix. What I had, though, was a talent for physical audacity, a willingness to dismantle systems, locking mechanisms, to shahadah, steal if necessary, to raid dumpsters for manuals, all in IMB and the pursuit of access, meaning knowledge, meaning power. I have a hundred of these stories, some of which I've recounted before, and that I will recount again. They are a cloud of possibility that resides in the brain part of the body that produces this essay. They constitute this version, this vision, of myself that I periodically let out to play. But with technical ability at writing, and the discovery of the pleasure of plundering received forms, a lot of my interest in the hack moved in a literary direction, towards the intricacy of language systems. And now the shahadah facts, language systems interact with the memory system that recalls the hacker exploits, and behind every essay I write is this hacker persona, this desire for punkrockitude, the Essay, trickster impulse. The History of shahadah, Literature.
The history of literature is the history of experimental literature. Thank God. It isor it mirrors and prefiguresthe history of hacking. Of geographic exploration. Of body modification projects. Of medical innovation. Of Star Trek mythologies or other invention. History Essay! Of the human urge to push against, to fill in blanks, to see what else is there behind the there. What person wants to accomplish simply what has occurred before? What writeror artist of any sortdesires only to live up to shahadah facts, her forebears?
Experiment interacts and sprouts from function, literary history. Every poem, every story, every essay must still deliver an emotional or intellectual experience, no matter how unusual the form. It must still offer arc. It must emanate from a mind and shahadah, show some trace. It poses questions and resolves at least a few of them. Experiment is a hack of one or more formal element, trying to do without it, to cross a gap. It acknowledges that there is a gap, for starters, and that it is fighting grendel's not trivial to cross it.
But those who decry literature as experimental are usually saying something is only experimental, that it lacks human dimension, that it is facts all brain, no body, no heart. That it is an experiment that has not borne fruit. But the experiment is the process, not the life sociology, product. The problem is colossal: rendering human experience as text. Finding our way into shahadah facts the nearly-infinite complexity of human interaction, of the human capacity for memory, for language. Our job as writers, as essay writers, is to set out kincaids cave (dare we say essay ) with no clear sense of what the results of the experiment will be, but to try to create something of it that is facts somehow magical. The last strandor maybe fragmentof the essay has yet to fall into place, I think, as I prepare for bed, looking out on the spectacular ripple of lights in the city buildings. After a ridiculous battle with the packaging, I get open one of ten individually-wrapped pouches of Vanilla Mint-flavored Benadryl Quick Dissolve Strips. That is a lot of adjectives. One of many recent methods of delivering medications (the caplet, the capsule, the tablet, the tab, the gelcap, the life chances, liquid) all offering us options to the pill, I have been looking forward to this, I think, for months.
I am a huge fan of the Listerine Pocket Pack breath strip. I am a fan of anything that seems solid and then disintegrates in the body. With the pouch finally open, I lay it on my tongue like an shahadah, offering. Or maybe I am thinking communion. Beowulf Mother! It is heavier than a Pocket Pack Breath Strip but lighter than a communion wafer. It smells tingly. Minty. I am amazed by its technology.
On my tongue it holds its form for a minute, longer than I would expect. I watch my mouth in shahadah the mirror as it dissolves. It takes a long time and beowulf fighting, leaves an shahadah facts, aftertaste of chemicals that somehow equal vanilla mint. Even now I can feel it in my mouth and I am pleased. I don't know what this means.
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The Legacy Press | home. Meeting by facts Accident. Books Will Speak Plain. From the Hand to Essay Home Failure the Machine. Song of Praise for Shifu. Suave Mechanicals vol 1. Suave Mechanicals vol 2. Suave Mechanicals vol 3. Suave Mechanicals vol 4. Art Science of Healing. Paredes Printing Manual.
Green Hayle Mill. Kruppa Conservation Education. Paper and Threshold OP. Study Collection OP. DePol Pattern Papers. Books about the Printing, Paper, and Bookbinding Arts. New Reduced Price! $60.00. This is not only a personal report but also a profound resource book about the history, technique, and design of facts shifu. Many colored images support the beowulf, detailed and inspirational explanations. Shahadah Facts. Ђ” anon., Textil Forum Textile.
I highly recommend this book to anyone interested in fiber, dyeing, weaving, paper, or Japanese culture in general. Ђ”John Marshall. Byrd has joyously and rigorously pursued her passion, and with this book she has become shifu's devoted advocate and foremost expert. T Pick up a copy. It will impress. Ђ”Sukey Hughes. This is an extraordinarily generous book.
The author shares everything she has learnt in her two apprenticeships in Japan without reservation, but leaves her audience with a thirst to learn more. It deserves a place in life chances many libraries, personal and facts, public. Ђ”Liz Powell. Susan Byrd has assembled a valuable resource that makes Shifu, an historical Japanese fabric made using paper thread, accessible to a new generation of Microsoft History papermakers, spinners, weavers, and textile artistsЂ¦. Ђ”Beth Showalter. Grand Prize: Short listed Ђў Montaigne Medal (most thought-provoking book): Finalist. da Vinci Eye (superior cover artwork): Winner. First Horizon (superior work by debut author): Winner. Best Micro Press Book (publishers issuing 24 or fewer books per year) A Song of Praise for facts Shifu Shifu Sanka ґ™ёѓ®ѓЊ. Susan J. Byrd presents a comprehensive description of shifu Ђ”a Japanese textile woven from beowulf fighting grendel's mother thread made with paper. This is complemented by an historical overview of the many uses of shifu through past centuries.
Also included is detailed information about making the paper and thread from the sheet, spinning and shahadah facts, weaving, as well as dyeing the thread and the finished textile with natural dyes. Appendices include artistic works created by internationally renowned artists, resources (suppliers, museums, and Depot's in Chile, craftspeople/artists), and an extensive glossary in shahadah Japanese and English. Each copy comes with two samples: Nishinouchi shifu yЌshi , a paper handmade for shifu by Daisuke Kikuchi and a finely woven silk and paper cloth made by Sadako Sakurai, the esteemed Japanese shifu weaver. Proceeds from the authorЂ™s royalties are going to beowulf mother some of the craftspeople in Japan, such as Sadako Sakurai and Seiki Kikuchi, to help them continue their efforts in preserving shifu . For more about the author and for facts links to videos that Susan has made about Home Depot's Failure making shifu, click here . 412 pages Ђў 490 images in the text Ђў full color Ђў cloth, sewn Ђў 2013. ISBN 9780979797460 Ђў $60.00 (originally $80.00) Ђў student, library, non-profit discounts. Eva Hovde Douthit: ЂњIt is shahadah facts a delight to discover and review Susan J. ByrdЂ™s thoroughly researched and spirited celebration of shifu , the Japanese art of weaving with paper thread traditionally made from the function, inner bark of trees. As a college senior, ByrdЂ™s interest in making washi , Japanese paper, took her to facts Japan and to a live-in apprenticeship with Sadako Sakurai, a skilled shifu weaver. At the end of a year of shifu immersion, she approached the task of creating her own exquisitely beautiful shifu kimono using a 40/2 cotton warp and a 3 mm wide paper-weft thread. By publishing her book twenty-five years later, she has shared her lifelong commitment to help preserve the shifu tradition, now recognized by the Japanese government as an kincaids cave, intangible and cultural property. Shifu initially earned respect for being lightweight and breathable in heat and humidity, while also protecting the wearer against rain and facts, wind.
Shifu almost died out in Japan after the industrial revolution, but was fortuitously and somewhat ironically revived in the 1930s and 1940s, decades plagued by warfare and a shortage of natural resources. Byrd provides a complete geographic and historical overview of the development of shifu, giving credit to artists who helped revive the Microsoft History, skills, as well as describing samples in museums around the shahadah facts, world. Byrd also answers all the kincaids cave, questions that immediately come to a Western weaverЂ™s mind. Can you really wash paper without having it fall apart and, if so, does it survive a dyebath? Will it be strong enough for a warp? Byrd sees no reason why her readers cannot also sing the song of praise for shifu as long as patient care is shahadah taken to create good weavings that are strong, soft, and washable.
She takes readers through each step of the process from of Everything Essay papermaking to weaving and shahadah, everything in between. The text is generously supported by photographs, drawings, and tips for weaving success. While paper is not a forgiving fiber, it offers many rewards in return for overcoming its challenges. ByrdЂ™s appendices stand on their own as models for The Internet good research, storytelling, and textbook standards. In addition to celebrating contemporary paper artists around the world, she includes instructions for natural dyeing; measurements and procedures for the fibers; and an exhaustive list of resources, suppliers, and museums. Every student of Japanese language and shahadah facts, culture will appreciate ByrdЂ™s glossary of of Everything terms with both English alphabet and Japanese characters. The first edition of five hundred copies includes a sample of handmade paper as well as a shifu sample woven by ByrdЂ™s mentor Sadako Sakuri. Read, touch, and be inspired.Ђќ Handwoven (March/April 2015): 15.
Anon: A Song of Praise for Shifu is the story of a young Western woman and her travels into the world of the traditional production of yarn and textiles made from handmade paper. Shahadah Facts. In it Susan J. Byrd tells us how she came into contact with Japanese culture. After attending a workshop, she was determined to find out chances, how to produce washi and textiles from it. She traveled to Japan to study the culture and handcraft. This is not only a personal report but also a profound resource book about the history, technique, and design of shifu . Many colored images support the detailed and inspirational explanations. Toward the end of the shahadah facts, book are works of the famous world renowned shifu artists such as M¤ti Mјller, Christina Leitner, and Lis Surbeck among others. (Translated from German). Textil Forum Textile no.
144 (April 2014): 18. John Marshall: Japan is a country well known for its exquisite textiles, leading the world in kincaids cave both quality and variety. One of its lesser-known textiles is shifu , fabrics woven from paper. When I was first presented with this book, I was prepared for facts a pretty, introductory survey of the technique. Much to Essay about Home Depot's in Chile my delight I was very, very wrong. Susan Byrd has managed to produce a textile lover's dream come trueЂ”a book that takes you into the lives of the shahadah facts, local textile artists, allowing you to know them as individuals as they share every detail of this fascinating process. With nearly five hundred photographs and an abundance of illustrations, she has generously presented every imaginable step in the processЂ”from growing and collecting the Essay about Home Failure in Chile, fibers to shahadah facts make the paper, to kincaids cave spinning, dyeing, weaving, and knotting techniques. The author also intersperses each section with samples of every possible variation, for example textiles woven with paper yarns combined with other fibers, shifu used in both traditional and shahadah facts, contemporary contexts, and a chapter touching on Essay Home in Chile the production and use of shahadah facts shifu in countries other than Japan. Susan Byrd is one of those rare individuals who lives her work. She went to Japan and immersed herself in the culture, the people, and Essay about Home Depot's Failure in Chile, the techniques with the expressed goal of shahadah facts learning all she could about the topic and sharing her love and insights with the rest of us.
Approaching her subject matter with a solid background in fiber and natural dyes, she has been able to achieve that goal through her straightforward writing style. Her sense of gratitude and love of the process is apparent throughout the book. I highly recommend this book to The Internet of Everything anyone interested in fiber, dyeing, weaving, paper, or Japanese culture in general. Thank you, Susan! Shuttle Spindle Dyepot 45, no. 2 (Spring 2014): 12. Sukey Hughes: In her newly released book A Song of Praise for Shifu , Susan J. Byrd breathes life into what once, in my days of paper research in the 1970s, promised to shahadah facts be just one more Japanese craft doomed for Essay about Home Depot's extinction. This volume, dense with information on what would seem to be an obscure subject, is in fact a delightful and exhaustive study of everything shifu . Shifu is cloth woven from spun or twisted paper, mostly from special kinds of shahadah washi (Japanese handmade paper). Some shifu is made not entirely of paper, but with a silk or cotton warp. For centuries in Japan, shifu has been put to many uses, but primarily it has been sewn into clothing. Although its manufacture is kincaids cave labor intensive, shifu has been a material cheaply hadЂ”you could weave it out of any old account book.
As clothing, shifu keeps the wind out and the warmth in. If it gets wet, the paper threads expand and also seal in facts heat, very useful if you are, say, a fisherman. But this unaffected cloth can also be, like the paper from which it is IMB and Essay made, gentle, humble, humaneЂ”and exquisitely beautiful. A Song of Praise traces the possible origin of paper cloth to spies in JapanЂ™s feudal era who supposedly cut and wove secret missives into cloth in order to pass through enemy territory. Once safely home, the clothing was unwound, untwisted, and the writing pieced back together. ByrdЂ™s historical knowledge of shifu centers on the Shiroishi (Sendai) area, the place she learned shifu making and about which the shahadah, noble Katakura family kept an exhaustive history. This, by the way, is a region in IMB and Microsoft Essay Japan deeply and traumatically affected by the 2011 earthquake and tsunami. ByrdЂ™s love affair with shifu began in college when she made her first sheets of washi. She took a workshop with paper artist Amanda Degener, and was hooked. Byrd created a bamboo and handmade paper installation that recalled a very airy paper house, apparently a premonition of things to come.
Around 1984, Byrd found herself in Japan staying in paper and book artist Asao ShimuraЂ™s ЂњA Paper Thatched House,Ђќ a one-hundred-year-old farmhouse decorated throughout with handmade sheets that he laid wet onto walls, floors, and ceilings as he made themЂ”ShimuraЂ™s own paean to washi. But it was at a Mini Micronesia Conference in Guam where Byrd had her first close encounter with shifu , making breadfruit fiber into shahadah paper that participants wove into cloth. Back at the farmhouse, Byrd discovered shifu makers living nearby, Sadako Sakurai and fighting grendel's, her family, with whom Byrd eventually lived and studied under a National Endowment for the Arts Folk Arts Apprenticeship Fellowship Grant. Her Japanese improved quickly. Facts. Sakurai taught her how to select the of skeletal, perfect papers for shifu ; how to soften, roll, and spin cut paper into delicate threads; how to dye them; and shahadah facts, finally how to weave the threads into sublime cloth. Tucked into an envelope at the back of the first 500 issues of Essay A Song of Praise is shahadah facts something quite special: a sample of SakuraiЂ™s incredibly fine silk-and-paper shifu (along with a sample of gossamer shifu paper).
In the bookЂ™s sad preface, Sakurai writes it is of skeletal difficult for her to continue with her work, as she must compete in sales with makers of thicker, less refined paper cloth. When she returned to the States, Byrd continued to make shifu , entering weaving exhibitions and working for the famed Kasuri Dyeworks textile shop in Berkeley. Shahadah Facts. Two years later, on a third and last trip to Japan, she further researched this volume by traveling the country visiting more shifu makers. Her bookЂ™s romantic title is an homage to her teacher, Sadako Sakurai, who confided to Byrd that she felt her life was a dedication, a Ђњsong of praiseЂќ to her own Shiroishi shifu . Byrd includes a very thorough chapter on the making of washi in general and shifu paper in particular, and it is mostly accurate. The book has a chapter each on making shifu paper, shifu thread, dyeing, and finally weaving this magical cloth. If you want specifics, you will be well rewarded. Function Of Skeletal Muscle. It is not the type of book you decide to put in your lap and read from cover to cover. The book is too dense with information for that. You will want to dip into one section for a feel of what it is facts actually like to study a craft in Japan; at another reading you may graze through the history of Shiroishi shifu . You might put it down and pick it up later, marveling at a swift reference to wabizumai (refined poverty and mother, solitariness).
At another time, you will be entranced with photos of the sublime work of traditional and shahadah facts, contemporary international shifu artists. Hiroko KarunoЂ™s shifu , dyed softly with wild raspberry, is refinement itself. Check out beowulf grendel's, Carolina LarreaЂ™s stunning self-portrait transfer onto her own woven paper cloth. Appendices in the back give maps, charts, supplier resources, lists of shahadah museums where shifu is shown, as well as shifu craftspeople and artists. There are even appendices of ByrdЂ™s Japan journals, including charming photos and sketches that I assume the kincaids cave, author created herself. Throughout, the book is shahadah richly illustrated with color photos. Throughout, Byrd expresses her love for and gratitude to all the Japanese craftspeople who shared their work and muscle, knowledge so unstintingly.
Byrd has joyously and rigorously pursued her passion, and with this book she has become shifu 's devoted advocate and foremost expert. The resulting volume is our reward. Pick up a copy. Shahadah. It will impress. Excerpted with permission from Hand Papermaking 29, no. Sociology. 1 (Summer 2014): 45Ђ“46 © 2014 by Hand Papermaking, Inc. Facts. (www.handpapermaking.org). All rights reserved. Anon: Susan Byrd began her exploration of kincaids cave oriental art as an art student. Captivated by Japanese paper-making, her interest extended to handmade paper cloth: shifu. Accompanied by pertinent and well-done photographs, and a translated Japanese-English glossary, her book is a detailed description of the artistry and functionality (shoes, clothing, etc.) of weaving paper with other natural fibers such as cotton and silk.
Shifu, however, is more than art. It is an integral part of Japanese culture and history, and after taking us through that history from the Edo period (1603Ђ“1868) to the present, Byrd introduces us to shahadah the people, resources, and international aspects of grendel's paper clothЂ”for example, France and shahadah, Korea have their versionЂ”that leave us sharing her dismay at the dearth of handmade paper makers and appreciative markets. Byrd has proven herself an excellent weaver of words, pictures, and personal experience with facts and directions. 2014 Eric Hoffer Book Award, Micro Press Award, U.S. Review of Books : http://www.theusreview.com/USRhoffer.html; retrieved May 2014. Liz Powell: This beautifully presented and lovingly crafted book really is a song of grendel's mother praise to shifu, a traditional Japanese craft that turns handmade paper thread into woven cloth. This however is a deceptively simple definition of the technique. The book encompasses in depth explanations of how shifu is shahadah facts created and kincaids cave, used, where it originated and shahadah facts, why, and what is happening with it now. Byrd and other practitioners admit the techniques are punishing, hard on the skin, hands and back, but a quote from Yasuko Shimada tells us, ЂњNevertheless I cannot stop handling the threads everydayЂќ. Weavers, spinners and paper makers will love it, as will anyone interested in the Japanese ethos of making.
Growing demand has apparently led to mother a resurgence of the craft. The book takes the facts, approach that one must start from the very beginning of the process and proceed to through the descriptions, history and photographs of plant fibres used, their preparation, the making of the paper thread, getting it onto chances sociology, the loom and turning the paper into facts cloth. Every aspect of the fibre preparation has its own tools, traditions and methods, all beautifully illustrated with large clear photographs that are inspiring in about Depot's Failure their own right, accompanied by shahadah facts extensive notes. If you are interested in experimenting with shifu there are enough clear instructions for the book to be used as a manual. For paper makers there are directions for producing washi (a generic term for beowulf grendel's mother Japanese paper) as well as specific shifu paper. Shahadah Facts. Weavers are supplied with clear and detailed directions on traditional Japanese methods of warping, preparing the threads (for example sizing with seaweed to increase strength of fibres), and Essay about, with weaving patterns. For those who donЂ™t actually want to make shifu there is still a rich vein to mine. A detailed history of shifu, which of necessity includes a history of shahadah facts paper, is enhanced by an excellent gallery of photographs of traditional and historical examples of stencils, clothing and kincaids cave, objects made from shifu, both the ЂRefined Ђstyle and Folk Shifu, where recycled common household items like account books are used to make the paper threads. Contemporary practice also gets a substantial mention and again an excellent gallery is supplemented with notes on artists, along with a photo documentary of one of the Washi Tours the author did with Asao Shimura to Shikoku Island. There is also documentation, via excerpts and drawings from facts ByrdЂ™s journal of Home Failure a project of ShimuraЂ™s that went on for many years ЂњA Thatch-Roof FarmhouseЂќ involving the production of thousands of shahadah facts sheets of paper (inspired by ChristoЂ™s wrapped landscapes). The images alone make these appendices worthwhile.
By the time I got to photographs of plants and fighting mother, seeds to dye and facts, make paper with, I was ready to get out my pots and kincaids cave, start boiling. In the first 500 copies there is even a little envelope with samples of shifu paper and shifu. Facts. This is an extraordinarily generous book. The author shares everything she has learnt in beowulf grendel's her two apprenticeships in Japan without reservation, but leaves her audience with a thirst to learn more. It deserves a place in many libraries, personal and public. Textile Fibre Forum no. 14 (February/March 2014): 62. Velma Bolyard: A Song of facts Praise for Shifu is a book that transcends its subject, shifu , actually becoming a song. ItЂ™s a joyful journey into Susan ByrdЂ™s personal exploration of Japanese craft and practice into the exquisite world of washi and shifu . Essay About In Chile. This is a book about the journey of a young Western woman seeking her own way into a peculiar Japanese craft, which ultimately celebrates with joy and deep respect the work of many shifu makers. Shahadah. I could feel what it must have been like for this young woman embarking on a huge solo journey to find out more about washi and then shifu . I found myself delighted with tiny details, including which warp yarns were combined with paper-weft yarns of particular kinds and function muscle, then woven for shahadah specific purposes. There were ЂњahaЂќ moments for me on almost every page.
Susan places particular emphasis on the generosity of her teachers and also the friends who helped her during her times of of Everything study in Japan. I found fascinating the thorough historical context in which she places the development of shifu and felt I could use her research to facts follow up areas of particular interest to me. Function Of Skeletal. Susan traces historical references about shifu and facts, explains the cyclical popularity, the differences in approach, and the aesthetics of many shifu makers throughout recorded history. Susan has approached this sometimes homemade and of Everything Essay, sometimes skilled artisan-made craft with enormous respect and facts, love and has given every detail her utmost attention. Each chapter has numerous endnotes that form extensive supplemental material but do not detract from the flow of life her narrative. The appendices give all kinds of important supplemental information, and I found many possible tangents to pursue on my own. Interesting and pertinent and beautiful photographs are a rich and important part of A Song of Praise for Shifu . It is a rich song indeed. Beth Showalter: When Susan Byrd wrote to me that she was going to write a book about Shifu based upon facts, several essays/articles she had written, I was quite interested. IMB And Essay. In doing my own research on Shifu, I knew that information available in English was both scarce and rare. Having seen the end result of A Song of Praise for Shifu by Byrd I am thrilled. The research presented is comprehensive, thorough, and intensive.
Byrd uses her personal experiences in learning and working with Shifu to explore the historic, cultural, and highly skilled processes required to create this textile. Clear, descriptive photographs are as equally important as the text that illustrates ByrdЂ™s journey in bringing Shifu to a new audience. Facts. A Song of grendel's Praise for Shifu is a book that I have been waiting for. Susan Byrd has assembled a valuable resource that makes Shifu, an historical Japanese fabric made using paper thread, accessible to a new generation of papermakers, spinners, weavers, and facts, textile artists. It will be interesting to see how a new audience interprets and explores the possibilities of paper thread as a result of ByrdЂ™s passion for Shifu. What an amazing find [The Legacy Press] is, by the way! The other books that they are currently publishing are really interesting, and Depot's in Chile, I love the fact that the publisher is an shahadah, authentic bookmaker who values well-made and beautiful books with high quality details. Linelle Dickinson: Artist, author, teacher, humanitarian Susan Byrd has woven a beautiful story about a little-known craft called shifu , now also seen as a recognized art form. Ms. Byrd's book is the function of skeletal muscle, first definitive work on shifu to incorporate (in detail), the shahadah, history, process, and craft over past centuries to the present. By sharing stories of the past along with stories of her own experiences in Japan, Ms.
Byrd has formed a bridge between different cultures and different eras. Chances. With her talent, perseverance, and passion for shifu , Ms. Byrd has given us a gift, wrapped up in facts the dedication and time-consuming process called shifu . Anyone attempting shifu now has the definitive work to provide all the necessary tools and lessons. The Internet Essay. However, it is also a fascinating read for anyone interested in learning about shifu from its humble beginnings through its ascendancy to decline and facts, resurgence. The stories will grab you and pull you into the process.
It is an appreciation for the people who loved the of skeletal muscle, craft and for contemporary artists who want to shahadah carry on and add their own history to shifu . Through her book, Ms. Byrd is honoring all those artisans who devoted their lives to this most fascinating craft/art form called shifu .